Altered Landscape

  • by beverleythomasphotography
  • 15 Feb, 2021
In the search for the ideal image it became evident that I had seen everything before and I wanted to produce something different. My intent was to take image manipulation further away from the real but I was also aware this could come with some critic good or bad.
Everyday we see an abundance of mundane classical black and white landscapes that are clear examples of what is continuously presented. I do not argue that this is a bad thing they are indeed visually pleasing. Needless to say, one could argue are these images suggestive of being authentic?

Image Manipulation

Image manipulation has been used throughout photographic history, for example; Ansel Adams image ‘Moonrise Hernandez.’ Adams dogged and burned the sky to produce a more dramatic look changing the original aesthetic in which the image was first viewed. It is often argued that image manipulation lacks authenticity, to manipulate ones image changes one reality and it is often thought the image is not genuine. I have learnt to make clear distinctions between the real and the unrealistic approach. However, I wanted to transform the mundane into magical cinematic dreamscapes transforming the alternative realities. Does this approach of manipulation lack authenticity? 
© Beverley Thomas. The dark romantic places connected to home (2020).

Constructed Reality

Evidently the beauty of a landscape is originally presented to us as an array of colours, so by changing the aesthetics into black and white, we have unconsciously already made an informed choice of manipulation. However, this kind of manipulation is normality and accepted simply because our audience has witnessed it on so many occasions. My perception and intuition tells me to explore these scapes in different ways and change expectation.
As I construct the reality, I began to transform it, thus allowing myself to have artistic freedom in my personal work and use my creativity to witness a different viewpoint.
© Beverley Thomas. The lighthouse keeper (2020)

Altered Landscapes

Driven by intuitive impulses aiming to transform arbitrary places into audacious and cinematic landscapes caught between fact and fiction. I saw beauty in the mundane, and by provoking an alternative reality. These visual conceptual conversations exposed the chaotic tension between light and dark.
‘Altered Landscapes’ looks at creating alternative realities that break away from typical pictorial photographs that we become accustomed to seeing. These dark romantic places connected to home, resemble bleak and uneasy post apocalyptic landscapes that are nevertheless indescribably beautiful.
This raises the questions to whether the camera records or creates the reality. However, we cannot produce the real no matter what we try to do, because that real moment has passed in a fraction of a second. We can only recycle it in a way that we perceive.
Reenacting the narrative, enabled me to tell a different story and the decision to transform these arbitrary places into cinematic dreamscapes depicting a different perspective that was unfamiliar to our way of seeing. I opened a door into my personal fiction inviting you into an imaginary world. 
The Landscape enables the opportunity to bring the vernacular to this body of work. However, these destinations attract tourism and exhibit more than charming views, visited by the preoccupied looking for beauty, in turn creating a metaphor of death. Death replicated so many times leaving no space for ambiguity to further thought and feeling. This allowed me to put into context the world pandemic known as Covid-19.
In retrospect, I can see that my work is not necessarily representative of death in a physical form. It is about dramatic transformation. Just as the Raven symbolises. Interestingly, I begin to delve deeper into the Raven meaning as a spirit animal. The addition of the raven brought symbolic meanings and new perspectives that delved into the realms of my unconscious. Ravens have a very distinctive voice and a vast vocabulary, they remind me to stay true to my voice. 
© Beverley Thomas. A new perspective (2020).
© Beverley Thomas.
by beverleythomasphotography 26 Aug, 2021
Firstly, I must apologise the lack of updates on this blog but then again who actually reads? Times have been up and down to say the least, and that has played with my mental well being, especially when it has come to my photographic practice. For many years, I have concentrated on giving 100% to my passion and this is my source of income as a professional photographer. However, the pandemic has made me stop and think about sustainability within the photographic industry and just what is it all about and for what?
by beverleythomasphotography 14 Apr, 2021
Photographs are not just images; they are physical artifacts. The physical form of the photographic image, prescribed by prevailing technology, determines what can be photographed, how it can be displayed or published, how it can be encountered by others, how it can circulate through public culture.
by beverleythomasphotography 13 Mar, 2021
I wanted to introduce the toy photography work that I am involved with. This is a collaboration with the wonderful team over at Stuck in Plastic (SiP Link).
by beverleythomasphotography 21 Feb, 2021
Having grown up in the 70’s, I thought I could find some old photographs from this time in my life but sadly, I have been unable to locate any and that makes me recall little moments that stand out in my vivid memory which helps me write this post.
by beverleythomasphotography 13 Feb, 2021
Having successfully completed my MA, I began to turn my focus on reflecting over my time at Falmouth University’s Institute of Photography. What became very evident is that my work is now informed and my intent is clearer than it was.
by beverleythomasphotography 31 Jan, 2021
Welcome to the very first post of my new blog. On the contrary, I am familiar with writing blogs and I had initially decided to continue writing regular posts on my Photographic Critical Research Journal , to which I started writing at the beginning of my Masters degree at Falmouth University’s Institute of Photography.
by Bev Thomas 26 May, 2019
Something old, something new, something borrowed and something blue ... well there was nothing blue about this amazing wedding, it was pink and full of fun and laughter. I met Kayleigh two years ago when she started wedding planning, turned out that I know her mother and father very well but as the years went by our connections had gone in different directions. But I always knew they were a special couple who if ever my family needed them that they would be there for us, so as you can imagine I was absolutely thrilled to be asked to capture their daughters wedding day. 

The Bride & Groom chose a beautiful location, the hotel is called Wolfscastle Country Hotel otherwise known as "All yr Afon"  https://wolfscastle.com  located just 15 minutes from Haverfordwest, in the heart of the Pembrokeshire countryside and 9 miles from our stunning Pembrokeshire coast. I arrived at 11.30am in order to get some prep photographs of Kayleigh's shoes etc and the bride and bridesmaids getting ready. When I arrived everyone was so calm and ready to go, the bridesmaids hair and make-ups were completed and they were in their dresses ready. Wearing sparkly rose gold gowns they looked stunning. The bride was still getting ready with finishing touches being adjusted. She wore a stunning wedding gown with a cathedral train made from tulle. The flowers were made by Flowers by Quita, they incorporated vintage roses and peonies. Everyone was in high spirits. Not only was it Kayleigh and Mark's wedding day but they were both celebrating birthdays.

I completed what I need to do then myself and Gill, my assistant headed downstairs to capture the groom. I had not met Mark at any of the appointment prior to the big day, so once I found him I introduced myself and to be honest, I felt like I already knew him. He had just finished formalities with the Registra and checking that the best men had the all important wedding rings. The video guys were ready, I was ready and Kayleigh was ready ... 

12.20pm Kayleigh was descending down the stairs with her father, that was an emotional moment. She had given him a pair of cuff links which read 'of all the walks we have had, this one is my favourite' such a lovely moment to treasure forever. 

12.30pm Mark was patiently waiting for his beautiful bride, and there she was standing in the doorway ready to met her husband to be.

The ceremony was perfect and a kiss seals the the forever moment when the Registra pronounces Kayleigh & Mark as Husband & Wife, Mr & Mrs Williams.


by Bev Thomas 15 Apr, 2019
Since starting my MA program, I am required to keep a critical research journal in the form of a written document, so I have created another blog on Wordpress which I will continue to update on a regular basis.  I have completed the first module and I am now looking at the second module.
This blog at  https://beverleythomasphotographydotcodotuk.wordpress.com  is being made as part of an accredited educational programme.
by Beverley Thomas 28 Jan, 2019
Critical Research Journal
by Bev Thomas 31 Jul, 2018
Week 30 sees the word Anger appear in my list of values.  This words comes just around the time I begin to get a little frustrated about the times I get asked why do you photograph lego, and the fact other people just do not understand.  It's simple you either like the images and get the concept or you do not, it is as easy to understand that! So how about this, I will answer the question as to why I photograph a little piece of lego and perhaps then you might just understand my logic as to why I find this toy photography rather fun to create, plus it is not hurting anyone and perhaps making someone stop and think and smile.

So as I have said before in previous posts, I started Instagram in 2016 whilst in University studying for a Batchelor of Arts in Photography.  Photography is my life work and gaining a first class honours degree was just something special in the process of recognition.  Since receiving my degree and numerous other certificates related to the photographic industry,  I realise that I have done so much and I can leave paper behind to suggest I was here once, when I eventually meet my maker.  I can also leave others with memories of special wedding day memories and newborn images or their own families photographs, I can even leave behind memory books for my own family but I wanted to develop something more.  

November 21st  2000, the release on DVD was the box office movie, my husband and I sat down to watch this movie which has  stayed with me for all these years and turns out to be one of our favourite films.  I found myself remembering it for perhaps a reason that the directors did not intentionally make it for, that movie was Gladiator.  You have all seen it? Right! - Staring the actor Russell Crow, Set in Roman times, the story of a once-powerful general forced to become a common gladiator. The emperor's son is enraged when he is passed over as heir in favour of his father's favourite general.  He kills his father and arranges the murder of the general's family, and the general is sold into slavery to be trained as a gladiator - but his subsequent popularity in the arena threatens the throne.  
My Favourite and most famous quote from Maximus: "My name is Maximus Decimus Meridius, commander of the Armies of the North, General of the Felix Legions, loyal servant to the true emperor, Marcus Aurelius. Father to a murdered son, husband to a murdered wife. And I will have my vengeance, in this life or the next".  What draws my attention during this whole film is the fact he has these enduring little figures of his family which he carries with him ... when asked by a fellow gladiator he replies: 
Juba: Can they hear you? 
Maximus: Who? 
Juba: Your family. In the afterlife.
Maximus: Oh yes.
Juba: What do you say to them?
Maximus: To my son - I tell him I will see him again soon. To keep his heels down while riding his horse. To my wife... that is not your business.

So without stating that I am anywhere near a Gladiator standard, I feel connected to that family dream, I am fortunate to have special people in my life, living and breathing, to whom I am extremely proud of and so I began to use the concept of Lego to create images that resonate with my daily life and feelings, perhaps one day these lego figures may be looked at in the same way that Gladiator used his, until then I continue to create and have fun with them as part of a little ongoing project that was started in 2016, life through a lens. 

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